Jail Review
6 Nov 09, 05:27pm
Jail Movie Photo Gallery
6 Nov 09, 05:27pm
Jail - A must watch
Production: Percept Picture Company, Bhandarkar Entertainment
Direction: Madhur Bhandarkar
Star-casts: Neil Nitin Mukesh, Mugdha Godse, Manoj Bhajpayee, Arya Babbar and others.
'Reality really bites' and so does Madhur Bhandarkarâs 'Jail'. All his previous films basked itself onto the grounds of reality and 'Jail' isnât exception as it proves to be a hardcore reality drama of prison life that most of our 'Aam' Aadmi are unaware about.
Perhaps, filmy buffs may find some similarities of âShawshank Redemptionâ, Desi version of âMidnight Expressâ and somewhat of some prison based movies. But to be precise, Madhur Bhandarkar sweeps us out with his stunning piece of directorial.
Of course, his previous films including trilogy of Traffic Signal, Corporate and Page 3, and Fashion had been the astonishing works on virtual prospects and this one again strikes with similar quotients.
Unlike many films where, innocents are victimized for bomb blasts and terroristsâ connection (like Neilâs role in âNew Yorkâ drama in initial stages), Madhur Bhandarkar seems to be stepped apart. Itâs about a friendâs betrayal of an innocuous person â as Madhur says Godâs chosen child, being trapped by law for the uncommitted crime. This âBehind the Barsâ drama just not alone focuses on the filmâs protagonist, but about the lives of various characters in prison⦠Specifically, those innocent victims who never committed any crimes and still undergoing tribulations...
Everything is fine in life of Parag Dixit (Neil Nithin Mukesh) leading a dream life with a great job and his loving girlfriend Maansi (Mugdha Godse)⦠Nevertheless things take an ugly turn when after a series of unfortunate events the suddenly wakes up in jail; handcuffed and randomly beaten up by the cops.
Parag is perplexed and in a place far from his utopian life. He tries hard to face away from the ugly truth and wish it's all a bad dream but soon succumbs to the prison anarchy. The only salvation he finds is in Nawab (Manoj Bhajpayee), a convict and a warder who believes that Parag is innocent.
Soon, Parag discovers the inner mechanism and the science responsible for the wretched status inside the prison and hordes of broken hearts and shattered souls which managed to find comfort amidst the four prison walls.
He is left with a choice, to either live a life that controlled and exploited or fight against the systemâ¦
Getting on with performance, Neil Nithin Mukesh does an awe-inspiring job with a power-packed performance. Heâs completely astonishing much more than his previous works in â Johnny Gaddar, New York that literally delineated him in best roles. Be the scenes where heâs genuine over explaining the situation or the emotional outbursts, heâs prodigious over the parts.
Here comes the best ever performance from Manoj Bhajpayee who had no better shows after his debut flick âSathyaâ. Much equivalently, Arya Babbar steals the show with his overpowering performance with a substantial characterization. As well Manish Mehtaâs role is compassionate and slightly reminds us off an old-aged painterâs role in âEscape from Alcatrazâ⦠Mugdha Godse looks perfect and keeps us intact with her deglamorized looks as in contrast with âFashionâ.
Technically, you canât experience rich visuals over the screens as in âFashionâ and Madhur does justice to the context of what really requires. Placement of camera angles are excellent and background score is enormous and the song by Latha Mangeshkar is perfervid.
On whole, âJailâ may be filled with certain illogical traits and may seem to be a docu-drama kind of genre and may not impress the fun-loving group of cinema-goers.
But, we strongly mention that â films like this would break the barriers of Hindi Cinema and elevate its standards.
Verdict: Hats off to Madhur Bhandarkar
Richard Mahesh
Production: Percept Picture Company, Bhandarkar Entertainment
Direction: Madhur Bhandarkar
Star-casts: Neil Nitin Mukesh, Mugdha Godse, Manoj Bhajpayee, Arya Babbar and others.
'Reality really bites' and so does Madhur Bhandarkarâs 'Jail'. All his previous films basked itself onto the grounds of reality and 'Jail' isnât exception as it proves to be a hardcore reality drama of prison life that most of our 'Aam' Aadmi are unaware about.
Perhaps, filmy buffs may find some similarities of âShawshank Redemptionâ, Desi version of âMidnight Expressâ and somewhat of some prison based movies. But to be precise, Madhur Bhandarkar sweeps us out with his stunning piece of directorial.
Of course, his previous films including trilogy of Traffic Signal, Corporate and Page 3, and Fashion had been the astonishing works on virtual prospects and this one again strikes with similar quotients.
Unlike many films where, innocents are victimized for bomb blasts and terroristsâ connection (like Neilâs role in âNew Yorkâ drama in initial stages), Madhur Bhandarkar seems to be stepped apart. Itâs about a friendâs betrayal of an innocuous person â as Madhur says Godâs chosen child, being trapped by law for the uncommitted crime. This âBehind the Barsâ drama just not alone focuses on the filmâs protagonist, but about the lives of various characters in prison⦠Specifically, those innocent victims who never committed any crimes and still undergoing tribulations...
Everything is fine in life of Parag Dixit (Neil Nithin Mukesh) leading a dream life with a great job and his loving girlfriend Maansi (Mugdha Godse)⦠Nevertheless things take an ugly turn when after a series of unfortunate events the suddenly wakes up in jail; handcuffed and randomly beaten up by the cops.
Parag is perplexed and in a place far from his utopian life. He tries hard to face away from the ugly truth and wish it's all a bad dream but soon succumbs to the prison anarchy. The only salvation he finds is in Nawab (Manoj Bhajpayee), a convict and a warder who believes that Parag is innocent.
Soon, Parag discovers the inner mechanism and the science responsible for the wretched status inside the prison and hordes of broken hearts and shattered souls which managed to find comfort amidst the four prison walls.
He is left with a choice, to either live a life that controlled and exploited or fight against the systemâ¦
Getting on with performance, Neil Nithin Mukesh does an awe-inspiring job with a power-packed performance. Heâs completely astonishing much more than his previous works in â Johnny Gaddar, New York that literally delineated him in best roles. Be the scenes where heâs genuine over explaining the situation or the emotional outbursts, heâs prodigious over the parts.
Here comes the best ever performance from Manoj Bhajpayee who had no better shows after his debut flick âSathyaâ. Much equivalently, Arya Babbar steals the show with his overpowering performance with a substantial characterization. As well Manish Mehtaâs role is compassionate and slightly reminds us off an old-aged painterâs role in âEscape from Alcatrazâ⦠Mugdha Godse looks perfect and keeps us intact with her deglamorized looks as in contrast with âFashionâ.
Technically, you canât experience rich visuals over the screens as in âFashionâ and Madhur does justice to the context of what really requires. Placement of camera angles are excellent and background score is enormous and the song by Latha Mangeshkar is perfervid.
On whole, âJailâ may be filled with certain illogical traits and may seem to be a docu-drama kind of genre and may not impress the fun-loving group of cinema-goers.
But, we strongly mention that â films like this would break the barriers of Hindi Cinema and elevate its standards.
Verdict: Hats off to Madhur Bhandarkar
Richard Mahesh
Jail Movie Photo Gallery