Banner: Ayngaran Films International

Production: Karunamoorthy, Arun Pandian

Direction: Vishnuvardhan

Star-casts: Aarya, Trisha, JD Chakravarthy, Indrajith, Master Rohan, Krishna, Prathap Pothan and many others.

Music: Yuvan Shankar Raja

An exact new plus ultra status in the career of Vishnuvardhan!! Trust us, ‘Sarvam’ happens to be the flawlessness state of Vishnu’s piece of work is merely reveling on all quotients. Be it his previous flicks right from ‘Kurumbu’ or his last flick ‘Billa’, everything had something to point out on minuses from various classes of audiences. Of course, ‘Sarvam’ isn’t leading us to conclusions that none judge out a negative attribute. None can satisfy everyone with their adeptness.

What makes ‘Sarvam’ so special from Vishnu’s previous film is that his maturity in crafting every shot? It’s more or else an implication of his crème de la crème pre production works.

‘Gripping Screenplay’ - This one particular factor takes on Sarvam for an interesting time for all the audiences watching it. The film opens with a hand-in-hand frustrated combat getting between two individuals in blurred vision. Immediately, the film is cut to flash back where Karthik (Aarya), a civil engineer is love with Sandhya (Trisha), a child pediatrician. After couple of efforts by Karthik, the missy accepts to get married to him. Meanwhile, the parallel track brings us the picture of Naushad (Indrajith) threatened by Eeshwar (JD Chakravarthy) who depones about bumping off his son Imman (Rohan). It’s all for vengeance as Naushad had accidentally hit Eeshwar’s wife and son to death with his rash driving.

All these characters get coalesced together for unknown reason and rest of the film takes on for unexpected twists and turns.

Arya goes for a cool-ride of matured performance. Of course, set from the school of Bala (Naan Kadavul), he has delivered an intellectual show and that’s more illustrious with his slightness in emoting to the big loss in his life much before intermission. Instead of shaking legs for songs with actors and running behind the bush for romancing, Trisha has done a good job though her part is minimal. JD Chakravarthy steals the show with his tremendous show and indeed he has more roles to perform in the entire film. Indrajith does justice to his role as a helpless dad while Rohan is cool as a young lad with interesting mannerisms.

Musical score by Yuvan Shankar Raja is not much off more significance. Except couple of songs ‘Adada Vaa’ and ‘Sutta Suriyana’ are good to heed as well the visuals have been exquisitely canned by Nirav Shah. Sreekar Prasad’s editing extends pace for the fast-moving screenplay.

On the whole, ‘Sarvam’ is a well crafted tale merely for multiplex audiences while for rest of the groups, it’s an average film yet commendable.

Verdict: Strictly for miniscule groups…

Richard Mahesh